Hi, can you please introduce yourself?
Hello, I'm Stephane Bachelet, Artistic Director for the Red Steel project at Ubisoft

Where are you with Red Steel graphically speaking?
In terms of graphics, we proceed step by step for Red Steel:

First of all, it took a few months before we decided to use Japan as the main settings. So during this period, we made researches on different ideas and locations and the style that could be interesting to highlight it. As we did not have any technical info at this time, it was a very open minded period: any idea could be the good one.

Then, once we decided to have the game in Japan, we started working on style and graphic intentions. Concerning the game graphic style, we again made tons of researches. We had a clear idea of what we wanted to do. How can we do it was much more challenging indeed. The console was in development, so we worked on Nintendo GameCube kits and PC and made projections based on the technical specs we started receiving.

The Wii kits actually arrived 1 month prior E3. The E3 demo had to be delivered so quick that we could not take time to implement the whole graphic chart we developed. So, E3 version graphics were Work In Progress, just to be show able, not finished. We wanted to take time to see people play for the first time with our game, help them to handle the Wii remote and finally, let the door open to all useful changes that would be necessary for the gameplay.

Now we work on developing our complete style specific to Red Steel that will not only be a great support to the scenario & the gameplay but also be the visual identity & signature for this new brand. We keep working a lot on the impact of the graphics on the way the player plays as well.

Do you feel limited vs. the power of the console?
The relative power of the console set a limit in fact. That is why we started working on a stylish realistic rendering rather than on a pure photorealism treatment, with shaders and other heavy SFX.
The idea is to provide eye catching scenes that are really cool and emphasize the action of the game, rather than places that highlights impressive SFX you do not pay attention in the middle of the action anyway.

Can you please tell us more about this style then?
The game happen in Japan, but Japan was not our only source of inspiration. In contrary, we wanted to focus on the experience of a US man in a foreign country and on the cultural choc of all the differences that can jump to his eyes. It was key for us to keep an occidental look.
When a westerner goes to Japan, the most striking element is that there are tons of colours everywhere. A typical street of Japan is full of advertisings, flags, neons. It is the same thing, if you look at a magazine or inside a shop.
For us, it was not interesting to render this heavy coloured style as it would have been difficult for the player to identify rapidly enemies in a multicoloured background.
Therefore, we took inspiration into a completely different style where flashy colours are there but not everywhere: 70's "films noirs" such as Straw dogs.
It was interesting for us as it is a very edgy dark atmosphere with tons of attitudes and colours: a perfect inspiration for us. Moreover such references work perfectly with gangsters and mafia. We just adapted it to Japan and yakuzas.
Unfortunately, we did not have enough time to implement it into the E3 version.